art: Art styles and movements के समानार्थी
abstract expressionisma school of painting in New York in the 1940s that combined the spontaneity of expressionism with abstract forms in unpremeditated, apparently random, compositions abstractionismthe theory and practice of the abstract, esp of abstract art Art Decoa style of interior decoration, jewellery, architecture, etc, at its height in the 1930s and characterized by geometrical shapes, stylized natural forms, and symmetrical utilitarian designs adapted to mass production Arte Poveraa style of minimal art originating in Italy in the late 1960s, making use of cheap and commonly available materials such as stones, newspapers etc Art Nouveaua style of art and architecture of the 1890s, characterized by swelling sinuous outlines and stylized natural forms, such as flowers and leaves Barbizon School a group of French painters of landscapes of the 1840s, including Théodore Rousseau, Daubigny, Diaz, Corot, and Milletbaroquea style of architecture and decorative art that flourished throughout Europe from the late 16th to the early 18th century, characterized by extensive ornamentation Blaue Reitera group of German expressionist painters formed in Munich in 1911, including Kandinsky and Klee, who sought to express the spiritual side of man and nature, which they felt had been neglected by impressionism Brücke a group of German Expressionist painters (1905–13), including Karl Schmidt-Rottluff, Fritz Bleyl, Erich Heckel, and Ernst Ludwig Kirchner. In 1912 they exhibited with der Blaue Reiterclassicisma style based on the study of Greek and Roman models, characterized by emotional restraint and regularity of form, associated esp with the 18th century in Europe; the antithesis of romanticism conceptual artart in which the idea behind a particular work, and the means of producing it, are more important than the finished work constructivisma movement in abstract art evolved in Russia after World War I, primarily by Naum Gabo, which explored the use of movement and machine-age materials in sculpture and had considerable influence on modern art and architecture cubisma French school of painting, collage, relief, and sculpture initiated in 1907 by Pablo Picasso and Georges Braque, which amalgamated viewpoints of natural forms into a multifaceted surface of geometrical planesDada or Dadaisma nihilistic artistic movement of the early 20th century in W Europe and the US, founded on principles of irrationality, incongruity, and irreverence towards accepted aesthetic criteria De Stijla group of artists and architects in the Netherlands in the 1920s, including Mondrian and van Doesburg, devoted to neoplasticism and then dada divisionismthe pointillism of Seurat and his followers expressionisman artistic and literary movement originating in Germany at the beginning of the 20th century, which sought to express emotions rather than to represent external reality: characterized by the use of symbolism and of exaggeration and distortion Fauveone of a group of French painters prominent from 1905, including Matisse, Vlaminck, and Derain, characterized by the use of bright colours and simplified formsfuturisman artistic movement that arose in Italy in 1909 to replace traditional aesthetic values with the characteristics of the machine age Gothicdenoting, relating to, or resembling the style of architecture that was used in W Europe from the 12th to the 16th centuries, characterized by the lancet arch, the ribbed vault, and the flying buttress impressionisma movement in French painting, developed in the 1870s chiefly by Monet, Renoir, Pissarro, and Sisley, having the aim of objectively recording experience by a system of fleeting impressions, esp of natural light effectsJugendstilanother name for Art Nouveaumannerisma principally Italian movement in art and architecture between the High Renaissance and Baroque periods (1520–1600) that sought to represent an ideal of beauty rather than natural images of it, using characteristic distortion and exaggeration of human proportions, perspective, etc minimal artabstract painting or sculpture in which expressiveness and illusion are minimized by the use of simple geometric shapes, flat colour, and arrangements of ordinary objectsmodernisma 20th-century divergence in the arts from previous traditions, esp in architecture and art Nabisa group of French artists much influenced by Gauguin, including Bonnard and Vuillard, who reacted against the naturalism of the impressionists naturalisma school of painting or sculpture characterized by the faithful imitation of appearances for their own sake Nazarenea member of an association of German artists called the Nazarenes or Brotherhood of St Luke, including Friedrich Overbeck (1789–1869) and Peter von Cornelius (1783–1867), founded (1809) in Vienna to revive German religious art after the examples of the Middle Ages and early Renaissance neoclassicisma late 18th- and early 19th-century style in architecture, decorative art, and fine art, based on the imitation of surviving classical models and types neoimpressionisma movement in French painting initiated mainly by Seurat in the 1880s and combining his vivid colour technique with strictly formal composition neoplasticismthe style of abstract painting evolved by Mondrian and the Dutch de Stijl movement, characterized by the use of horizontal and vertical lines and planes and by black, white, grey, and primary colours op arta style of abstract art chiefly concerned with the exploitation of optical effects such as the illusion of movement pointillismthe technique of painting elaborated from impressionism, in which dots of unmixed colour are juxtaposed on a white ground so that from a distance they fuse in the viewer's eye into appropriate intermediate tonespop arta movement in modern art that imitates the methods, styles, and themes of popular culture and mass media, such as comic strips, advertising, and science fiction postimpressionisma movement in painting in France at the end of the 19th century, begun by Cézanne and exemplified by Gauguin, Van Gogh, and Matisse, which rejected the naturalism and momentary effects of impressionism but adapted its use of pure colour to paint subjects with greater subjective emotion postmodernism(in the arts, architecture, etc) characteristic of a style and school of thought that rejects the dogma and practices of any form of modernism; in architecture, contrasting with international modernism and featuring elements from several periods, esp the Classical, often with ironic use of decorationPre-Raphaelitea member of the Pre-Raphaelite Brotherhood, an association of British painters and writers including Rossetti, Holman Hunt, and Millais, founded in 1848 to combat the shallow conventionalism of academic painting and revive the fidelity to nature and the vivid realistic colour that they considered typical of Italian painting before Raphaelrealisma style of painting and sculpture that seeks to represent the familiar or typical in real life, rather than an idealized, formalized, or romantic interpretation of it rococoa style of architecture and decoration that originated in France in the early 18th century, characterized by elaborate but graceful, light, ornamentation, often containing asymmetrical motifs Romanesquethe Romanesque style of architecture, painting, etc. romanticismthe theory, practice, and style of the romantic art, music, and literature of the late 18th and early 19th centuries, usually opposed to classicism Suprematisma form of pure cubist art, launched in Russia in 1913, and based on the principle that paintings should be composed only of rectangles, circles, triangles, or crosses surrealisma movement in art and literature in the 1920s, which developed esp from dada, characterized by the evocative juxtaposition of incongruous images in order to include unconscious and dream elements symbolisma late 19th-century movement in art that sought to express mystical or abstract ideas through the symbolic use of images synthetismthe symbolism of Gauguin and the Nabis, who reacted against the impressionists and realists by seeking to produce brightly coloured abstractions of their inner experience ukiyo-e a school of Japanese painting depicting subjects from everyday lifevorticisman art movement in England initiated in 1913 by Wyndham Lewis combining the techniques of cubism with the concern for the problems of the machine age evinced in futurism ▷ See art
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